There’s no doubt, allowing light to flood into our homes is uplifting. With more and more contemporary domestic properties being designed to bring the outside in, it’s clear it positively impacts our lives. But with every silver lining there is a cloud and ultraviolet (UV) is that cloud. It’s the most damaging element of light for our health, our art, furnishings, curtains, furniture, books, and documents. You name it, if left unprotected UV will irreversibly damage it.

Sometimes I actually thank goodness for technology especially when it improves and enhances our lives.

In a previous blog “Which glazing is right for your artwork?” I looked at technical advances in picture framing glass and acrylics, to better protect your artwork from UV damage. Whilst we can’t stop damage caused by ultraviolet light, we picture framers can slow it down. If you’re a belts and braces person like me, you will take advantage of all opportunities to preserve the condition of your artwork for as long as possible.

There is now the opportunity to enhance this protection and at the same time protect other elements of your home. A simple retro installation to your windows of a film containing UV absorbers blocks a large percentage of damaging light rays. 

I discovered this when setting up my picture framing studio. It’s south facing and has a roof light, so I was conscious of the discomfort of working in the summer heat and I wanted to ensure the safety of my client’s artwork. I was introduced to Ultrastop a subsidiary of Next Doors Ltd, it was a revelation. When the installation was complete you would never know there was anything attached to the glass and it’s scratch resistant.

UV blocking film being applied to a window.

The Ultrastop team uses three core products by Opalux®, clear UV film, reflective window film and opaque privacy film. Much of their work is in high-value domestic properties, museums and galleries.

Opalux® is a UK premier brand of architectural window film, their product range and experience caters for every conceivable application:

• Heat & glare control
• Energy control
• Privacy & light management
• Safety & Security
• UV Control, Dermatology & Anti-Fade
• Window Tints
• Anti-Graffiti Window Film
• Patterned Films
• Window Graphics
• Digitally Printed Films for Windows & Walls
• Exterior-Grade Window Films

The damage to expensive artwork and furnishings can never be reversed, but these items can be significantly and simply protected.

“Opalux® specialist UV control film is designed for museum conservation and retail use to protect exhibits, displays and furnishings from UV radiation which is one of the main causes of premature fading in these environments”.

 This film exceeds the standard museum test for low UV transmission and colour distortion and passes the requirements of leading conservation experts who have researched ultra-violet filters. It’s also beneficial for people with a UV sensitive skin conditions.

 FEATURES

• Excellent rejection of harmful UV rays.
• Quick, retro-fit installation.
• Scratch-resistant.

 BENEFITS

• Reduced fading of interior furnishings.
• Can be used where costly and disruptive large-scale replacement of existing glazing is not a viable option.
• Suitable for most non-abrasive window-cleaning methods”.

So there you have it, what could be simpler? You don’t have to compromise your lifestyle as long as you take the right steps to protect anything valuable to you. For more technical information visit Opalux® and to book a visit, contact the guys at Ultrastop, don’t forget to tell them Edge Bespoke Picture Framing sent you.

Please note none of the products discussed will stop UV damage. The more protection provided, the more the effect of light will be reduced.

Generally there are two options when considering framing a piece of work, bespoke or ready-made. The main difference between the two is that bespoke picture frames are designed and hand-made specifically to present your work at its best; ready-made frames are mass produced to standard sizes and of poorer quality materials. The decision of one over the other is down to personal preference, the value of your artwork, the required level of protection and design, and the depth of your pocket.

Bespoke Picture Frames
Bespoke picture framing is a hand-crafted process, therefore labour intensive. The complexity of the design, the nature of the item, hand finishing and availability of materials means that frames can take time to make.
Every aspect of a bespoke project is customised according to the needs of the artwork and your aspirations. Decisions begin with design elements, this is the fun part having the most impact on how the work will look when finished. Other less exciting but just as important decisions include techniques, quality of supporting materials, glazing and display hardware.

Board products are available in qualities from standard to pH neutral, providing various degrees of protection. Mountboard is available in dozens of colours, textures, sizes and thicknesses, offering limitless design possibilities. A bespoke project isn’t bound by limitations. Proportion and balance is an important part of the design to ensure that your work isn’t “squeezed” into its frame. A number of mounts may be used to spectacular effect, accommodated in a deep rebate moulding adding another dimension to the project. Developments in glazing offer an array of options, providing unprecedented clarity, anti-reflection and UV protection. All influence the “look” of the final product.

Ready-made Picture Frames
Readily available these frames are cheaper for a number of reasons. In the main cheaper materials and production methods are used. Production runs can be long resulting in lost precision and poor quality control. In a factory packaging and handling can be compromised resulting in damaged and inferior products. Service and design is lost and no technical advice is available to you, basically “what you see is what you get”. The success of the finished job is reliant on your ability and willingness to put the work together. This provides the artwork no protection. Manufacturers benefit from economies of scale limiting production to the fastest selling standard sizes, and reducing moulding, mount and glazing options. This is fine but if your artwork is non-standard and doesn’t fit the frame, the mount supplied is unlikely to enhance or protect your work.

If you find the perfect ready-made for your picture check that the hanging hardware is fitted securely and is strong enough to take the weight of your finished piece. Check the fixings holding the whole thing together; these can be inadequate and even missing. If the hanging hardware is secured to the backing board rather than the frame, your precious artwork could end up on the floor and not on the picture hook.

Bespoke or Ready-made?
You’ll be pleased to know there is a market for both. Much depends on the qualities of the piece to be framed, its economic and sentimental value. You would be wise to consult a reputable picture framer for three dimensional, non-standard, valuable, original, irreplaceable work. Ready-made frames are a great instant fix for standard sized, replaceable work like posters and mass produced prints that are susceptible to shifts in fashion. Encourage the kids by displaying their work in a ready-made frame. Swap it over and display their next great achievement. What is valuable? In most cases monetary value is obvious, but there will be occasions when only you can determine what is precious to you.

Ready-made frames are great for displaying the kid’s little master pieces and easily replaceable images.